ALL ACCOUNTS AND MIXTURE: "Note to Self" by Olivia Treynor

Note to Self

Photography by Julia Cassell.

By Olivia Treynor

It is noon

and the squirrels are stealing newly hatched birds

from the trees.

I don’t stop them ––

It sounds so beautiful.

I wonder what we owe each other 

if not kindness.

The cats are grooming themselves again 

their bodies,        a perpetual project.

The noose rings on the coffee table

like so many         eclipses.

My mother’s spittle

is     pure     every time. 

I cried with her today.

She      touched my back.

When I have a               child

she will be born covered in blood 

and    I’ll think of Carrie.

Her    buried             magic.

The woman with wide palms

who told me not to drink seltzer 

might be in the heat tonight.

She might want to cure me again 

with her ceramic disks,

the cupping bruises on my back

o o o

My jewelry held

  in a glass dish. My skin unperfumed.

I cried with her, too. There’s so much mess

I can’t make clean.

Also:                                                    the bird pressed against the window.

First popsicle.

Linen wrung, wringing, still wet.

Hear it?

   

Anyway            all the lightning

looks like cobwebs.

I buy myself bread 

because I am a person.

I’m allowed to drive again

but still when the plane hits turbulence

I don’t pray to anyone.

Don’t forget: Jane with the tattoo

of cow tools. Love that makes your bones black.

Don’t forget: the head of Lenin 

smothered in white, facing

a land that has abolished him.

The flying objects in the sky 

are still there, still flying.

So much wind from nowhere.

Don’t forget: the angel wings 

obscuring death.

Olivia: Green is your color.


About the Author

Olivia Treynor is a Barnard College student from the upper half of California. Her work appears or is forthcoming in Southeast Review, Yemassee, phoebe journal, and elsewhere. She loves lakes but is scared of the ocean.

A Celebration of LGBTQ Writers & Artists

Taken from Gertrude Stein’s Tender Buttons, and the poem “Rooms,” our series title appears in the line: “Cadences, real cadences, real cadences and a quiet color. Careful and curved, cake and sober, all accounts and mixture, a guess at anything is righteous, should there be a call there would be a voice.”

All Accounts & Mixture is CutBank’s annual space for queer writers and artists, and we’re incredibly proud and honored to present this year’s bunch of daring, earnest, and straight up wild pieces. Our sincerest thanks to the contributors, as well as to each and every submitter to this year’s feature. Reading your work is a privilege, one we hope to continue undertaking for a long while.

Olivia Treynor

About the Photographer

Julia Cassell lives, studies, and photographs in Western Massachusetts and Brooklyn, NY.

Julia Cassell